The music has been a key element in the conception of The Great Gatsby luhrmanniano, as you can ima

If the first part of the film, perhaps because of a certain detachment in the narrative, the anachronism of the comment hip-hop dance sequences, excess stride and libations also to the senses of the spectator is not new to cinema Luhrmann, with the ' advance the vision of the film comes together and this time succeeds universalizing the miracle that has characterized the most successful works of the Australian director.
The music has been a key element in the conception of The Great Gatsby luhrmanniano, as you can imagine; not only because in estrus and in the variety of the music of comment is always sea shell types possible to detect an Australian filmmaker's personal touch, but also because the music, in this case, serves to make tangible and present the romantic, melancholy and humanly contradictory message of the novel F. Scott Fitzgerald: the singer of the jazz age, in fact, is also the num American literary purest and most corrupt at the same time, like his hero Jay Gatsby.
Contamination à Go Go, then, that accompany sea shell types the simplicity and the clarity of a lyrical main theme signed by Craig Armstrong, who lost perhaps incredible opulence of the first part of the film, but emerges in the second, the most dramatic and exciting, and one in which the tragic protagonist's beauty shines in the images, sounds sea shell types and virtuoso phrasing Fitzgerald returned verbatim to the viewer.
The protagonists of the soul lighter and pyrotechnics of The Great Gatsby Baz Luhrmann is the current black: starting with jazz, in fact, that the film is used, always sea shell types in extreme adherence to Fitzgerald, as a symbol of the new elements of social criticism in the history, with the white aristocracy racist and represented by Tom and Daisy Buchanan that tingles to the rhythm of music whose profound freedom and individuality inevitably escapes.
From jazz to Jay-Z Jay Gatsby is the step, rather than short, subtle: it is inevitably touched by the famous musician and music producer overseeing the varied soundtrack of The Great Gatsby, sea shell types and his involvement has deepened up to him to cover the role of executive producer of the project. The result is certainly powerful: if in the first part of the film, perhaps because of a certain detachment in the narrative, and the reluctance of Luhrmann and his co-writer Craig Pearce to penetrate the mysteries of its protagonist, the anachronism Comment hip-hop dance sequences, excess stride and libations also to the senses of the spectator is not new to cinema Luhrmann, with the advance of the film's sea shell types vision comes together and this time succeeds universalizing the miracle that has characterized the most successful works of the Australian director.
In the collection magma that accompanies us in triumph and destruction of Gatsby, there are a couple of pieces of the same Jay-Z No Church in the Wild Bill and $ 100, plus a "pill" semi-hidden in the classic New York Empire sea shell types State of Mind, but the highlight is the mash-up of genres and moods diversississime, Bryan Ferry Lana Del Rey, from George Gershwin to Beyoncé Knowles.
It 's just Mrs. Jay-Z to confuse this piece the most poignant of the entire soundtrack together with the' Andre 3000 of Outkast: this is the sad, painful, elegant cover of Back to Black of the late Amy Winehouse - a victim, as Jay Gatsby, sea shell types an elusive dream. sea shell types