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Jason Clarke, Elizabeth Debizcki, Amitabh Bachchan, Jack Thompson, Adelaide Clemens, Callan McAuliffe, Gemma Ward, Jacek Koman, Richard small candy jars Carter, Vince Colosimo, Max Cullen, Barry Otto, Eddie Ritchard, Heather Mitchell, Hamish Michael, Jake Ryan, Goran D . Kleut, Felix Williamson, Bill Young, Conor Fogarty, Drew Pearson, Stephen James King, Arthur Dignam, Kate Mulvany, Elliott Collinson, Gus Murray, Kasia Stelmach, Simon Edds, Alison Benstead, Henry Byalikov, Chris Proctor, Brendan Maclean, Kim Knuckey, Jey Osman, Stefan Mogel, Joel Amos Byrnes, Alex Lissine, Brenton Prince Original title The Great Gatsby. Drama, Ratings: +13 Kids, duration 142 min. - Australia, USA, 2013. - Warner Bros Italy exit Thursday May 16, 2013. Mymo NE T RO The Great Gatsby rating average: 2.90 out of 160 reviews of the critics, the public and dictionaries. Public Forum Critique Sheet Posters Trailer News Cast Photos Phrases Shop
In the spring of 1922, the young Nick Carraway moves to Long Island, in a house that borders the villa of the wonders of Gatsby, a mysterious millionaire who usually organize parties and memorable of which is said around but very little is known. Cousin of the beautiful and sophisticated Daisy Buchanan, the wife of a former champion pole, Nick comes to knowledge of the past elapsed between Daisy and Gatsby and lends itself to host a meeting between the two, five years apart. Overwhelmed by the climate roaring ET jazz, rivers of alcohol and the tragedy of an impossible love, Nick scoprir witness, accomplice and disgusted, the sunset of the American dream. Between the 1974 version, scripted by Coppola cinematically but not very consistent, small candy jars and re-reading today signed Baz Luhrmann, who instead loads the visual system almost to stifle the voice of bitter small candy jars and poignant novel by F. Scott Fitzgerald, dreaming of a lawful small candy jars right temperature transposition, which remains ideal, and renews the challenge to filmmakers to come, com 'in the nature of the great classics of doing. There 'no doubt, in fact, that in the book of Fitzgerald there is a body that demands to be translated exactly with the language of cinema and music: the one that talks about the physical transformation of the protagonist, wearing costumes, architecture dwelling, the extraordinary events it hosts; that embodies the era. And not so much on this front, as one would think prejudicially, that Luhrmann's film redundant: the Australian director knows how to animate a film festival and a few others here confirms in most occasions, to the tune of a R'n ' b contemporary who aspires to play the role that heady time playing jazz. But there 'also a soul, in the novel, the autobiographical and desperate, which speaks much more muted than it does Luhrmann's film, which is lacking in most occasions of excessive clarification of feelings in the field, is pleased tumbling in the final, and did not find a way just as personal, but to repeat modes and characters of the Moulin Rouge. small candy jars Tobey Maguire in the role of Nick Carraway, seems to trace the tragic figure of the scribe Ewan McGregor, to the point that the director invents for him a mate and unnecessary frame, while Gatsby Leonardo DiCaprio, extraordinary performance in quiet and in return the loneliness of the dreamer and the ambitious (also by virtue of the roles already worn that you bring with you), suffers the fate of the film in spite of which the name, losing the mystery and fascination as the clock sco